Sunday, 19 October 2014

Tudor Cosmetics

The products women used in the Elizabethan era were poisonous and deadly.
Queen Elizabeth was considered to have the natural beauty of this ideal image of beauty but she loved to enhance and exaggerate the image using white makeup. Wealthy women had pale skin, and did everything they could to keep it as pale as possible. Pale skin demonstrated that you are rich; if you had tanned skin it meant you were poor and worked in the sun. They used white lead or chalk mixed with egg whites, vinegar, lemon or even urine. They applied a face paint made from plant roots and leaves, too. This mixture would look like they had masks on their faces and they had to be careful not to laugh, or the 'mask' would crack. It is interesting how their make-up actually used mineral makeup; a loose powder foundation that women used as a base (primer). To redden their cheeks they used either cerise powder (white lead + red colouring), fruit juice or cochineal. Cochineal is a dye made from crushed beetles and was very expensive. Madder and vermilion (a red pigment obtained from mercury sulphide)
 were also used. To darken their eyelashes they used kohl which was imported from the Middle East. High foreheads were in fashion; it was considered as a sign of aristocracy and intelligence. They'd pluck their eyebrows and even shave off some of their hair to achieve this look.




"The Coronation Portrait" 
(source: http://heroinesofhistory.wikispaces.com/Elizabeth+I)

Colour Theory


 Colour Theory is very strong and powerful they can have a huge impact on our lives. Weather you see it or not colour they can change your mood, it all affects us differently. Some bright colours people cannot concentrate, whereas some cooler colours that aren't so bright might come across as a more relaxing colour. I as an artist love working with bright colours, abstracted bright colours but i can work with that and communicate by working with them on to the canvas. I just don't do dull art its always so bright and happy and sometimes it makes me want to dive into the colours. As i said we are all different and we all know what colours work with us, and colours that do not work. For example when i look at yellow it makes me happy, because it reminds me of summer, and the blazing sun. If i look at green or blue they don't lighten me so much its the brighter colours that do. Colour theory is a body practical guidance to colour mixing and the visual affects of a specific colour theory;  the colour wheel, colour harmony, and the colour context.
 


The colour wheel
(source: photo from the book "Colour Perception - A practical approach to colour theory" by Tim Armstrong, page 6)




Colour wheel or colour circle is a basic tool of combining colours. It is designed so that virtually any colours you pick will look good together. The most common version is a wheel of 12 colours based on the artistic colour mode. The wheel is divided  in too warm and cool colours. Warm colours are energetic and tend to advance in space, and on the other side, cool colours are calm and create a soothing impression. The colours black, gray and white are not in the colour wheel - they are considered to be neutral.

Sir Isaac Newton designed the first colour wheel in 1666. He also discovered that when three primary colours of light (red, green and blue) are mixed in equal amounts, the result  is white light. 


 (source: photo from the book "Colour Perception - A practical approach to colour theory" by Tim Armstrong, page 50)





in 1766 Moses Harris made a first full-colour wheel; 18 colours were diverted from what he called 'the primitive colours' - red, yellow and blue. He used the colour black because it is formed by the superimposition of these colours. 






Moses Haris's colour wheel
(source:  http://kidugly.blogspot.co.uk/2010/11/color-wheel.html)



Colour Harmony
There is a number of colour combinations that are considered especially pleasing to the eye and that work well together. These are called colour harmonies or color chords. They consist of two or more colours with a fixed relation in the colour wheel. Here are some examples: 

















(source: webdesignref.com/chapters/13/ch13-15.htm)




Colour Context
Colour context is described in terms of how colours behave in relation to other colours and shapes.





(source: scm.ulster.ac.uk/~B00584676/DES106/index.html)